I'm a life-long photographer, though my profession was in the allied health professions, clinical therapist. On a recent trip to Ecuador, I used my approach to photos, and took 3,000 of them over a month. Then, the editing principle was done: take as many photos as you can because there are no more constraints to buy and develop film. And, of 10 to 20 photos of some scene, you'll find a few that are very crisp to use. The next step is not to edit each photo as a whole, but to use a real or mental "photography cropping tool".
Cropping
a. corrects
b. simplifies
d. but most importantly, it helps one to find the 3-7 mini stories in EACH photo that is clear, crisp enough to work with.
Unfortunatley, this old method of cropping photos doesn't exist any more, because software has simple cropping features. But, this averts the learning process of the old fashioned photo cropping tool.
To make your cropping tool:
a. make from some materials
https://www.ephotozine.com/article/make-a-cropping-tool-4806
b. buy one photo mat, cut into two "L" shapes
c. get two plastic "L"
Get these in plastic in the crafts, school, or sewing sections of your discount store, or Hobby Lobby / Michaels, Harbor Freight.
One benefit of plastic, nylon types, and a mat board, is that you can put it on a printed photo, and also put it on your laptop screen without scratching the screen with steel or aluminum types.
Then, practice, practice practice. Move and slide the two L pieces to find the 3 to 5 stories in your photo. Follow the advice in the link above.
This is important to use, the cropping tool, in real form, or in your mind's eye, because there are many paintings of the Pied Piper of Hamelin.
Take this painting:
Google search of Pied Piper Paintings
Then, use your cropping tool to find 3 to 5 sub-stories: what is seen on the faces of the children is symbolic and a metaphor of the types of innocence taken. Look at the faces with purity, hope, fun, delight, trust, enthusiasm, and MORE:
Now, go to these paintings at Google, and find the sub-stories, the faces of innocence taken:
https://tinyurl.com/y3qjgpnk
For me, I see these themes of the taken, and:
loss of reaching out, touch, connection
fun
delight
some paintings have mostly girls, which could imply a loss of the feminine aspects / part / half of a soul in a person or in society
and allied with this, the final cropped story is of a little boy with spring flowers: that boy is not forced yet into the loss of this half of one's self, to have to act masculine, tough, be dirty (that's ok for any boy or girl), but the paintings of the children being taken: little boys are not contaminated with a toxic masculinity. They can enjoy a flower, and not be in a rigid gender role forced on them by society or families ("My boy is a real boy, all boy", implied one parent to me, feeling proud he'd reinforced masculinity and that his boy would not be neutral, learn to cook, be a feminist one day, and kills lots of wild game", and likely treat women, wives, and daughters as lessers).
Who is the Pied Piper?
A person, parents, a political group? It's a metaphor of takers, taking, stolen.
This is part of the worldwide toxic masculinity of our time, and the last 2300 years. But, that spills over also to women ashamed or denigrating of the Divine Feminine within all. I asked a woman recently is she was a feminist (and DID tell here I am and why). She replied, as is typical for my area of the USA: "Well, I'm not a feminist, but I don't mind those women who are." I asked here to define feminism and she could not, but thought it might be aligned with "left wing communistic political groups that her right wing conservative family, spouse, parents, and conservative church were here on earth to fight". "My husband is really against Commies".